The
first time that I recall ever having watched a Korean movie was when
I was in second grade. I was living in Brunei
with my family at the time and the Korean government was just
beginning to take its first steps in exporting modern Korean culture.
Sponsored by the Korean government, three Korean movies were aired
for free in a fancy cinema.
I
went to watch all three movies with my family. I do not remember what
movies had been shown but I do remember being nearly bored to death.
Especially considering the fact that the Japanese government had done
something similar a few months prior, and the fact that I had enjoyed
those Japanese movies, the thought that Korean movies are terrible
became permanently ingrained in my mind.
Even
to this day, I still hesitate to watch Korean movies, even when I do
not have to pay any money to watch them. Therefore, it came as a huge
surprise to me when I watched TWO
Korean movies recently and, more importantly, actually enjoyed
watching them.
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The
first movie was “The
Royal Tailors” (aka Sanguiwon/상의원)
and the second movie was “C'est
Si Bon” (aka 쎄시봉).
Both
movies depicted different eras of Korean history; though I am sure
that the filmmakers took quite a few liberties with the truth for the
sake of making their respective movies more entertaining.
“Tailors” is a movie about a royal tailor (played by Han
Suk-kyu) who after having served the royal family for decades, is
given a rare opportunity to be accepted as a member of the nobility.
He was born a commoner who rose up the ranks due to his skills.
However, the royal tailor's world is turned upside down when the
queen takes interest in another tailor who is younger and very
unorthodox but highly skilled.
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“C'est
Si Bon” is a bit more... rudderless. When the movie starts, it seems like
it is a movie about the formation and the rise (and fall) of Twin
Folio, a popular pop-duo from the 1970s. However, as the movie
progresses, it focuses more on the romance between one of the singers
(in the movie, before Twin Folio was a duo, it was a trio that was
called “Trio C'est Si Bon”) and a budding actress.
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The
cinematography in “Tailors” was excellent. Its story was told in
a humorous and light-hearted way (at least in the first half of the
movie), which made watching this period-piece a delight. Its trippy
dream sequence that involves giant rabbits on the moon was a laugh
and the clothes – the clothes were colorful, bold, vivacious, and
beautiful. It was a feast for the eyes.
“C'est
Si Bon” had different strengths. The mellow music was a welcome
break from the usual bubble gum pop that is K-pop's bread and butter.
For older viewers, the movie brought pangs of nostalgia as the movie
carefully shows what was beautiful about the past and hides the
uglier and seedier aspects of it.
However,
both movies had their weaknesses; and it is the same set of
weaknesses that plague many Korean movies. Both are unable to
maintain the frenetic energy of the first act. Whereas the first act
is comedic, light-hearted, and fun, both movies fall into formulaic
melodrama in the second half. The romance in both movies are very
traditional and chaste (yet far more watchable and tolerable than
anything in the Twilight
film series). And both lead actresses' characters (Park
Shin-hye as the queen in “Tailors” and Han
Hyo-joo as the actress/the trio's muse in “C'est Si Bon”)
were underused and underdeveloped.
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Both
movies had their strengths and weaknesses. However, there is one
element that I thought many film reviewers missed. It is that both
movies contain messages that are anti-authoritarian and pro-freedom.
In
the case of “Tailors,” the younger tailor (played by Go
Soo) represents rebellion against the established order. Instead
of designing clothes the way they have always been designed for no
other reason than that has always been the way clothes were designed,
the young tailor laughs. He is a
man of integrity who knows what he wants – to design beautiful
clothes the way he wants – damn what others say or think. Unlike
Han Suk-kyu's character, Go Soo's character refuses to sell his soul.
After all, selling one's soul is the easiest thing in the world.
That's what everybody does every hour of his life.
I
don't know if the filmmakers behind “Tailors” were channeling
Howard Roark
but that was all I saw.
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As
for “C'est Si Bon,” the movie's main protagonist (played by Jung
Woo) represents one person out of countless many who had been
brutalized and victimized by an authoritarian government. His crime –
having smoked marijuana at a time when
there were no laws against the consumption of marijuana. His
punishment – becoming the victim of retroactive laws, the loss of
his friends, the loss of his reputation, and the loss of the woman he
loves.
The
movie was as much an anthem to the victims of dictatorship as it was
also a comedy and a drama.
Movies
are important tools to disseminate ideas and to shape the
social/political/cultural/economic zeitgeist of the age. Although two movies
do not make a trend by any stretch of the imagination,
considering the pro-freedom and anti-authoritarian messages within other movies as well, such as “Snowpiercer,” I certainly hope that more movies of this nature will
continue to be produced.
For those of you who do not speak Korean, I do not know when there will be English subtitles available for either movie. However, when there are English subtitles available, I recommend that you watch them.
“The Royal Tailors” was produced and distributed by Showbox Mediaplex Co., Inc. and “C'est Si Bon” was produced and distributed by CJ E&M Pictures.
“The Royal Tailors” was produced and distributed by Showbox Mediaplex Co., Inc. and “C'est Si Bon” was produced and distributed by CJ E&M Pictures.